sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

delphic return this summer with their new single ‘this momentary’on kitsune, with remixes from parallels, golden bug and radioproof.released on the perma-chic french indie label kitsune,whose ability to spot tomorrow’s stars remains as strong asever, delphic’s ‘this momentary’ is a subtly blissed outblast of euphoria that takes in both the crisp drive of minimaltechno and the epic scope of bands like muse or radioheadto create something entirely their own and entirely new andbeguiling.>the guitar is dead, long live the guitar<, proclaim themanchester trio, fresh from supporting orbital and currentlybusy working on their new album, blurring the boundariesbetween indie and electronics until preconceived notions ofgenre have lost all meaning.their debut single ‘counterpoint’ pointed the way forward toa shining future straddling the hedonistic worlds ofglastonbury and berlin, while this summer has been spentcombining festival dates with working with producer ewanpearson in crafting a future classic steeped in bothintrospection and hedonism.the first results are ‘this momentary’, a restrained lyric gentlybuilding over sharply driving techno beats until it becomes aeuphoric future stadium anthem.

timbuktu sees long-time associates ferrer and sydenham going out with some techy house flavors on ibadan, with a solid groove joined by a sublime synth stab and some great chant snippets, while a driving bassline and great percussion elements fatten out the track nicely. timeless tracks 4 sure !! special backstock !!!

its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

first seconds into already 27th release on recognition, and we immediately know that there is serious business going on here. stunningly complex drum track goes like clockwork, only setting the scene for what is to come. forget the craft of drum programming - we are talking another dimension here. >modern dance< is like being suddenly dropped into suspended animation: having that peculiar feeling that the world around is accelerating to the verge of a seizure - and at the same time this very world feels so slow... unnamable, transparent sheets of sound almost give no room to breathe - but ones breath is taken away by the magnificent landscape it s about to appear. shapes shift under half-closed eyelids, and while the low, peaceful yet sad chant comes in, one can feel it like an omnipresent breath, burning hot and marble cold at the same time. this mysterious and heart-wrenching voice comes courtesy of one yula, and were gonna surealy hear much more from her in the future. and it seems that the beats literally start to boil... rhythms shuffle and swing, and taken the lack of floating melodies abundant in jaceks earlier output this track is even more outstanding from theproducers former work - probably acting as a bridge towards new visions, appearing in the confidence of the new, almost-perfect studio.

latest project by longtime dfa alumni gavin russom, inspired by euro disco, wonky early electronic body music and global psychedelic rock. death tunnel is a hot club cut just waiting to be unleashed, while the flip world eater is a more mid tempo groover with a strong ebm lean.

moleculez returns to meta4 ready to clear dancefloors with some of his most destructive material to date. you know you are dealing with some serious dance music when none of the tracks on a release have vocal samples. the opening track, future in progress, is blessed with a wonderfully deep kickdrum that would probably even sound good at plus20, although we havent tried that yet. out of a nowhere the track suddenly seems to have stopped when an eerie melody creeps out of the dark. this sets the tone for the rest of the release: dark, driving and threatening. gargoyle is the most driving. lava bomb the eeriest: and future in progress the most threatening. thats what we think, anyway. you decide. the last two tracks on this release are probotector and the haunted. the first is actual textbook honest to goodness industrial hardcore while the latter isnt really anything we can talk about here. highly recommended because we want to sell records

the third part of this limited edition 12 inch vinyl series sees craggz & parallel forces take time out of their busy album recording schedule to offer up >all my love<, showcasing their versatile production skills, while on the flip man of the moment s.p.y teams up with mosus on >saudade<, a beautiful yet devestating piece of electronic music.

blasta s saga comes to an end with part 3 of his incredible adventures of kenzolika and quetzalcoatl among the air castles series. the product of an over-active imagination, this series has fused dubstep and post-garage riddims with traces of jazzy easy listening and psyched exotica. the most successful effort here has to be the garage rollidge of black muscatel offset by smooth and dreamy-clean synth keys, while zeppelin nacelle sails off with gently propulsive garage bass and trip42 brings the story to an end with down pitched dubstep beats subsiding into sunset 303s.

supported by: matt star, tim green, angel molina, butane, nico purman, daniele papini, okain, maik loewen, syntec...
for >la gorgona< luca has been working at studio with his old friend telly quin in hamburg. they ve been recording several sessions using different drum machines and analogue gears. their sessions resulted in two creative cuts >la gorgona< and >2 de noviembre<. this ep comes along with spicy remixes from 2 of todays highly acclaimed latin american electronic music artists. argentinian virtuoso franco cinelli delivers a very hypnotic and deep interpretation of >la gorgona< while chilean talented artist alejandro vivanco stays more on the melodic & tech-house side.

for release n° 28, long-time clr artist alex bau returns with two massive new tracks full of good ideas and positive energy. chris liebing had the pleasure to play out the disaster-mix for quite a while and to convince himself of the unexceptionally sensational crowd reaction. the rhythm is permanently varying, the atmosphere often changes immediately and the sounds come and go in surprising ways.
the flashback-mix is wonderfully thrifty and has a powerful bass. alex bau once more shows versatility and dedication to experiment with rhythmic and sonic possibilities. the slow building and the subtle use of beat variations and breaks underline the almost mesmerizing effect of this outstanding groove.
chris liebing considers the clr 28 the best alex bau release on clr so far and is already looking forward to your comments and critics.

nice price deal !!! limited white label 4 track ep featuring some dope remixes from ruckus roboticus that never appeared on vinyl. until now. his dancefloor friendly remixes of bloc partys >hunting for witches<, pase rocks >so f*cking disco<, kanye wests >love lockdown< and lmfaos >i m in miami bitch<. the bloc party mix is perfect for the electro heads (think dfa or gomma), while his kanye remix might be the best house remix of that track done yet and his pase rock remix is a fidget house anthem in the making. get this!

before you dive in the regular sales fodder i would like you to ask yourself this question: what if humans arent the only living creatures who can create & enjoy art...? well, meet a true & genuine artist at heart and take a minute for michaels story. totally moved and inspired by the life & work of michael, the silverback gorilla who talked sign language who unfortunately passed away in 2000 after a fatal heart failure, ronny & renzo produced this incredible song me, myself, good after the same titled painting by the hand of the late and great michael... may he rest in peace. ronny & renzo their original version is a 9 minute+ moving epic that not only looks back in sadness at the pain & horror michaels life started with when poachers killed his mother in front of his eyes. it equally celebrates the love & comfort, the guidance & protection he enjoyed while he and koko were adopted and lovingly raised by dr. penny patterson and dr. ron cohn. because of the serious and delicate nature of this tribute release we couldnt think of anyone more appropriate than dance exotica pioneers quiet village to perform the remix. these two extraordinary gentlemen lead you by the hand into the heart of darkness, to a meditative place somewhere deep in the jungle only they know of... after more than a year of silence, a new king kung foo release sees the light of day throwing the label right back in the leftfield disco game. these amazing recordings will not only have their impact on an ecstatic dancefloor but will also be the ideal soundtrack to a lazy sunday. enjoy! pressed on a limited quantity of 1000 copies and no chance for a repress, this desirable twelve inch with powerful cover art will be sold out in no time. but the most important thing here is that koko needs your help! so for each copy sold a part of your money goes to the gorilla foundation.

enough of this featuring crap, the starring title seems much more appropriate for club siren luciana. as featured vocalist for bodyrox, the hits yeah yeah and planet topped club charts and led to her cheekily titled debut cd featuring luciana. further tracks with mark knight, super mal and martijn ten velden, have cemented lucianas spot as an electro vixen who can deliver hot vocals with a great track. turning her attention stateside, she has teamed up with richard vission & static revenger for i like that. remixes come from new boys meterhead who hail from la and are doing big things in blogland. the track seemlessly blends electro, glitch, rock and hiphop elements with an 80s feel that is both nostalgic and futuristic. limited edition promo get em while you can!!

support by dave clark, miss kittin, laurent garnier, oliver huntemann
with different releases and remixes on labels like anthonyrothers datapunk, huntemanns dance electric and different (tiga, garnier, agoria), xenia beliayeva and her production partner andré winter have recently set up a highly respected reputation. >analog effekt< comes longwith the original which you can check on youtube while huntemann spinning it and the more techhousy andréwinter remix.

the third release in audions slow-drip of new music is a devastating trifecta, a trio of tracks that hit hard and leave a mark. with each taste of the new audion, it becomes clear that matthew dears dancefloor alias is deeper, darker and more nuanced than ever before while maintaining a lose-your-mind edge that is impossible to resist.

this ep is presented in three tracks: >wires< takes the a side, while >extrany< and the remix of >wires< by the duo hydraulix from miami on the b side. cult graphic artist abdul qadim haqq (red planet, underground resistance) has painted the cover and concept for the first release.

the make up the break up is the first release on bruno pronsatos own thesongsays label. its the longest track in his catalog (38 minutes), and an even deeper excursion into his stylized harmony. this track was originally a track uncompleted while making, æwhy cant we be like us. revisiting it roughly a year ago, bruno began to reword it. what began as simple attempt to create an ep track out of it became a monster. what monster you ask? in a few words, the monster that is brunos love of musicality and sound design. muscially speaking, we are on a ride somewhere between a slithery house track and a drugged out night out in chelsea, new york in the 60s - and thats a good thing because we get the entirety of the ride: the ups, the downs, the clouded mentality, the broken heart and perhaps the mended one. its happy, its sad - its something that you can dance to, but most importantly, its music that we think you can revisit for many years, as it somehow reflects us, our lives. a playful and extended journey through love and disaster, or at least the soundtrack to it.

after the successful >srange days ep< leased on deep explorer music a few months ago, dubbyman & above smoke are now delivering the second part ep on the well respected dpress industries label, home of artists like nacho marco, tony blunt and pablo bolivar. dpress is the label where both deep explorer capos always wanted to put some stuff out as they have been supporting the label since the early beginning. on a side, dubbyman produces a soulful moodymannûesque track called >reen sunday<and rick wade (harmonie park, rush hour) works out a dubby and functial house remix. on b side, above smoke comes with >owntown< a warm and deep house track with some jazzy vibes, while ivan murias (thump elektroniks, inout records) is welcome to the label making a great rework of the track using some vocal samplers and showing us some good and deep manners, summer anthem for the deep lovers

>it is the time ep< is the first solo release by sabbo, sought after dj and producer, one of the busiest beat-makers in israel, and one fourth of dj/producer team, soulico. sabbo describes his style as bounce-hall: a lethal combination of reggae and dancehall riddims, infused with heavy bass and a party bounce feel, informed by club, dubstep and electro.
the vocalists on this ep were recorded in jamaica by sabbo and his long time partner (on many other projects), kutiman. also featured are vocals by zulu, chicagos leading dancehall artist. sabbos tracks have received heavy support on many blogs and websites such as discobelle, mad decent and pitchfork media.
sabbo has worked with some jamaica s finest - steven marley, damien marley & turbulence, to name but a few. locally, he collaborated with some of israel most notable musicians, while producing many chart topping hits for a new breed of artists, refreshing the stale israeli airwaves with a much needed dose of b o o ta y.

capricorn rising is a brand new label for music response, hunting out old and rare tracks and re inventing them in their own way. first up on the label we have earth calling and spectacular.earth calling is a long lost and hidden gem featuring the vocals of a certain gordon sumner, which has been reworked for 2009 in true style, while spectacular is rare a track from can from 1977 another gem reworked by the capricorn rising crew.

s up friends n freaks !! the international freakshow theatre is rising its stage curtain for opening a hopefully hot summer season 2009. with our 13th release we bring you two young guns who - so far - are new to the international freakshows roster. nevertheless basti grub from frankfurt / germany and dj w!ld from paris / france will definitely show their skills with 2 massive tracks on if-13! both tunes are properly carrying the spirit of an hedonistic summer party! the a-side comes along with mr.basti grubs marchgang. his trip into the depths of electronic music lead him through all the wellknown clubs in and around frankfurt city in the first place. nowadays he runs his own little label called hoehenregler, releasing quality house & techno music. his track on if-13 feels like a journey into the wonderland of minimal fusiontechno. bastis tune is one of those that are making you smile while you are rocking our socks off hard on the dancefloor! his tune marchgang sounds a bit like being the clash of 1920s music with the 21st centuries minimal house sound! and do you know what?! à the crazy combination fully works - give it a try folks! the flip side delivers dj w!lds balkan2?. dj w!lds musical career started 13 years ago in france with his first dj-attempts behind the decks. today the french mastermind is presenting his sound from one continent to another, as a tireless traveller he is spreading hot underground music to the people with his technical mixes. after having started his own label catwash together with chris carrier a couple of years ago, his reputation as a producer is constantly growing all around the planet! for if-13, dj w!ld brings us balkan2? - an epic and massive rollin sambaesque techhouse bomb, that has the dynamic and power to make you o nuts! this track is pure latin groove in a postmodern shape that will deeply satisfy all of you who are into the style of artists like ricardo villalobos or luciano, to name a few!

altair nouveau consists of one brandon mitchell, a young producer from the west coast currently residing in san francisco. altair nouveaus music, though designed with the dance floor in mind, still evokes a personal element. it is the combination of these elements that give altair nouveau his indistinguishable larger than life, spaced-out future disco sound sure to cause a dance floor frenzy. raised in the sprawling city of san jose, california to musical parents. mitchell grew up with the encouragement of his father, an electronic music teacher at the local community college. brandon began educating himself by collecting albums from the likes of giorgio moroder, vangelis, ennio morricone and john carpenter. this gave way to newer acts such as in flagranti, prins thomas, lindstrom and several artists on dfa. the title track æspace fortress marks a bold and exciting introduction into the sonic landscape of mr. nouveau, combining g funk, p funk and a 4/4 disco foundation that adds up to something otherworldly altogether. released as a joint effort with the uber-hip dfa records this 12 features mixes exclusive to this release from ultra-talented irishman john daly who turns out a deeper take while michel morins criminally underrated nom-de-plume sneak-thief takes it deeper into spacey disco-funk territory.

created as the main vehicle for delivering paolo mojo productions, oosh has grown into one of the labels of 2008. championed consistently by pete tong on radio 1, including an essential new tune and essential mix this year, paolos production profile has risen spectacularly, gaining momentum on the back of tracks nightlaw, brooksong, the dancer, sirena, interstellar and home. a four track ep showcasing the range of paolos production while still retaining an definable identity. the play your hand ep takes us through jazz piano freestyle, deep melodic tech house, latin percussion workouts and old fashioned tweaky acid house.

new label lost in records drops a killer 2-track remix 12inch from red hot indie rock dance band mgmt. one side features the slow and sleazy late night screening mix from soft rocks while the flip upbeat electro glam remixes (vox & inst) from holy ghost

dr. kucho! from spain lets the holy spirit rain down on the floors while bismark and m.p.g. add their special twist to the story.

disco fizz is the second album by italian disco group azoto. many say that azoto pioneered the whole italo sound, with incredibly ahead of their time productions going right back too 1977. disco fizz may contain one of the most covered disco tracks of all time san salvador, which has reared its head under countless of remixes and pop cover versions, however if you dig a little deeper this album is packed full of incredible and timeless italo disco. anytime or place literally jumps out the speakers to get you moving, while >exalt exalt< showcases their take on the darker side of electronic disco.

after seeing the banging >red hot< - her first released production - become the all-favorite track on airdrops extraction us compilation, it is a natural step for connie to slip once again into her constar outfit, and release this time her first record, the sunset tribe ep. here, constar does what she does best, take her clan on a ride through different skylines, from the shores of bali in indonesia to the chinese inland mountains. indeed, in sunset tribe the careful listener will hear parts of a kecak ceremony - pronounced keh-chahk , also known as the ramayana monkey chant - a form of balinese musical drama, that roots in a traditional trance-inducing exorcism dance. a piece usually performed by a circle of hundreds of men percussively chanting cak while throwing up their arms, depicting a battle between the monkey vanara and the evil king ravana...
phoenixxx strikes the cord! using elements and melodies of traditional chinese instruments, the pipa, guzheng and erhu, constar takes our journey even further east. allying a bumpy and light-hearted groove to the depth and gravity of the instruments used, constar also offers an exploration into her balanced mind and soul. bringing the witchcraft even further, who better than the craziest wizard-duo electronic music has ever come across, voodeux! celebrating the release of their debut album on mothership, voodeux - aka tanner ross and james watts - create their very own blend of magic potion that no spirit - good or bad - could resist. simply spellbinding and savage, voodeux know the cerebrums fluids inside out, and will work them through their supernatural enchantments!

third, by far best and last chapter of the lebensfreude 5 year jubliee series! while the crew is worldwide on tour the third part of the lebensfreude compilation is released with tracks by ruede hagelstein, the mexicans fanfarrosa and d_bug and stuff from hungary by reecoba. in a nutshell - it all works out with a dance guarantee!

vinyl only !! come and spend a night at the brand new loop hotel...! its a one-ofa-kind international spot where quality, infectious house and techhouse music is piped into every room. so exclusive that its visitors wish to remain anonymous, we are left only to imagine who might be behind the project - yet its clear the calibre of the producer involved is very high indeed! based on the concept of a two track partnership, a solid state jacking groove is introduced, building up a musical statement with a combination of rich analogue equipment to create the vibe. the partner track then, removes all the previously explored musical elements, keeping the beats intact, and builds a new track again from the foundations up. room 101 is a tooly, playful house jam, whose strong opening beats provide the basis for a stylish array of synth themes, classic house organs and tweaked out acidic stabs to unfold. keeping the beats then, of course, room 102 takes things down a darker route, with a more reduced family of elements describing a heady, even more acidic late night moment. each track complements its brother remarkably well, and becomes engaging to hear how the emotions, flow and vibe are changed, while maintaining the same functional percussive elements in both tracks. watch out for this new series of releases, that explores the endless possibilities of hidden grooves locked inside the mind of their producer... ready to be expressed on vinyl! welcome to loop hotel.

per martinsen aka mental overdrive shouldnt need any introduction being the granddad of the norwegian electronic music scene and all... hidden away in a little snowcave near the polar circle hes currently preparing the bits that eventually will become his debut album for full pupp.weve heard some bits and though wed like to keep them all under the lid for a little while longer, heres a little sneak peek of what hes done and hopefully preparing you off his unique take on modern dance music taking in elements of new wave, new beat, detroit and dubstep on the way. per unleashed this on us at one of the full pupp nights in oslo and recently we saw how it took the roof off at fabric... for the b-side we paired per up with the equally detroit-loving blackbelt andersen which gives us a hi-speed samba techno work out with a unhealthy deep bass.

already a mainstay in the scene with admired releases on brother label poker flat, and of course connaisseur, patrick chardronnet returns with a wonderful 2 track ep on audiomatique. a delightfully trippy, post-minimal adventure, ‚piper‘ raises the brow for chardronnet, dropping the big room synths this time in favour of a very organic, low-slung addictive groove. sparse, tricky percussion underpins the headsdown late night vibe, as a drifting ensemble of mystic vocals and haunting horns unfolds over 11 minutes. enchanting, mesmeric and deeply spaced, this reduced-percussive foray explores chardronnet‘s more hypnotic side... a priceless cut of of hybrid house from a modern master. on the b side the driving, textural chimes of ‚dropout‘ ensnare the listener into another beautiful and mysterious world. solid-state, bass-led percussion and crisply-cut percussive fx remain subdued whilst an epic, swirling synth landscape weaves its dreamy tale. suggesting moments of real drama, yet all the while maintaining an addictive, slow burning vibe, its a an amazing journey into this producer‘s remarkable, inimitable sonic world.

the first single from her upcoming wagon repair debut album and her first release of 2009, dinky (aka alejandra iglesias) is ably following up on the momentum gathered from her 2008 album may be later on vakant. in a decade of releases on labels from cocoon and traum to carpark and crosstown rebels, dinky continues to cement her place amongst technos most enterprising producers with four new tracks. opener wind mesmerizes with repetitive keys looped over a straight kick. chirped tones pulse curiously amidst descending melodic chimes in a steadily evolving elemental journey that equally evokes reich and contemporaries (and new label mates) cobblestone jazz. outro establishes territory with intoxicating arpeggio melodies, while wet hair plunges us into submarine depths. dripping with resonance and reverb, sporadic metallic tones color a dense mix of murky pads and sharp beats. interrupted briefly by an epic symphonic interlude, wet hair continues its descent into deep and dark territories to close. the eps closer, butterfly floats with squeaked melodic tones and breathy vocals taking lead over a busy percussive base. saturated with a variety of sounds from indigenous samples to wobbly bass and deep detuned keys, butterfly takes us on a winding scenic route, disorienting and enchanting in equal measure.

back once again, all ears to the rescue... we ve got our hands on a limited amount of upfront copies of the latest ep on dave switch taylors dubsided label! new signings savage skulls come through with a double header of typically hefty club tackle bumps is an addictive old school meets new tricks rave up, while flabanco horses around with some favela flavours.

weve been pestering the dd boys for some time to release this awesome duo of reworks, and finally its here ! for number 9 in the disco deviance series, dicky trisco dips into the vaults and selects two of his all time favourite cuts and reworks them into fresh new versions dripping in disco boogie and electrofunkin vibes. first up is >come to me< which cuts up kanos >cant hold back (your loving)< and reworks it into an extended summer disco delight that is sure to work the dance floor. while on the flip >rip it dub<, the long awaited dub version of orange juices pop classic, finally sees the light of day and extracts every ounce of the track s original electrofunk flavour and pushes it to the max. more quality vinyl only gems for djs who love the disco sound

atal music is proud to announce the release of another two tracks taken from hanna haïs new album ‘,love paradise, the jamie lewis produced: mr jim &–, gospel. the two tracks were recorded in switzerland and bear the mark of a classic jamie lewis production, ‘,mr jim’, is more big room with its darkroom mixes while ‘,gospel’, will please the heads.

a carl craig production!!! here is the 1st extract taken from night music, etienne jaumet new album to be released end of september. etienne is the keyboard player of zombie zombie. this man is breathing music. you have to catch him live to see how involved he is in his music. almost possesed. when i heard his album a while ago, i asked carl craig to make some production, which he accepted and made a job above our expectations! he pushed the level of psychadelism to the max! entropy is one of them. cosmic dark obssesive - a meeting between ashra temple, can and liaisons dangeureuses. tr 808, vintage synths...lets go for a ride... for the remix, christian vance, an australian producer who released recently a brillant track on rippertons label perspectiv has done a great job, changing the tune into a mental techno ride...we only released one mix, but check the digital platforms for more unreleased versions...

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

vertex is an exploration in two parts. the a sideÆs vertex and the locus of points explore the trackier side of tejadaÆs work meant mostly for vinyl play. both tracks make good use of strong wavetable chorded sounds, which are modulated throughout. the rhythms of the chords make up the identity of the track with elements coming in and out. vertex showcases a more layered approach to take the track from a percussive to a smooth feel. the locus of points follows more of a straight up techno approach sounding simple and effective. the b-side explores the more melodic and arrangement based side of tejadaÆs work. liquid mirror is a track rich in layers. 3 modular synth layers provide the initial modulating melodic ground work which is then complimented by lush tejada keyboard work bringing the song to itÆs apex and then reducing it back to itÆs start all while backed by tejadaÆs powerful drum work. p.l.l. (which stands for phase locked loop, a process explored here) continues this theme in a less obvious way. modular synths and drum tracks start things off while midway a modulating melodic phrase is introduced playing back a bit differently every time. four songs in all showcasing tejadaÆs simple and complex approach to dance music.

laufmasche delivers the target while sascha braemer (kindisch), bela seeger, elden (vita minima) and elvis cassetta shoot it up. 4 direct hits, not a single miss!

numbercult 2 is produced by a known name in the uk techno scene... but his name won t be revealed by the label... so it will take some puzzling to find out who he is. this 3 tracker on numbercult kicks of with skeptic on side a , a solid techno workout fusing a phasing bassline and driving percussion which gives the track an unforgettable hook reminiscent of early 90 s detroit releases. the b side continues the pace with the punchy 4/4 and hypnotic lead-line of see feel, while the second track on this side steps down a gear with the reflective, melodic perfection of speak memory. three strong tracks which are not created to entertain the masses... but surely will entertain us for a long time to come! top notch techno that will stand all trends. future classic!

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
first up to rework oasi is great stuff s ramon tapia. without doubt one of the names of 2009, tapia delivers a typically dramatic mix where sparse trial rhythms meet pulsing, offkilter melodies. hot new production duo hauswerks and gaz james keep up the pace with a more funked up version centered around a wicked rolling groove while homegrown neapolitan talent abnormal boyz offer up a stomping rework that twists things out with deep undulating bass.

supported & played by: loco dice • davide squillace • marco carola • rino cerrone • paco osuna • joseph capriati • someone else • dandi & ugo • maurizio vitello • kaiserdisco • matteo spedicati • guido memola
this ep showcases 3 tracks that collects utos own distinct imprint.
>kids game< gives the name of the ep. it s build on a groovy bassline with a superb break, for a great dancefloor killer. >city lights< shows utos funky tech style, while >be like b.l.< is a more relaxed tune.a great ep with complex construction that will surely be played out by all the big names.

this summer beni will continue to reign the dancefloor supreme with a new monster slab of black plastic, maximus featuring vocals from the mighty sam sparro. who put the fun in acid-funk you ask? the answer is: beni did. a low-slung exercise in dark and dirty arpeggiated sleaze, maximus marries a sparse bubble-groove that creeps up behind you and licks your ear with a very purple vocal performance by sparro to devastating effect. the resulting track is something akin to kiss-era prince and friends dirty dancing at a toga party while ancient rome burns down around them. on the flipside beni and nicky night time give maximus a night-time re-dub rubdown, taking the track away from the creepy funk freak and towards a straighter slammer jammer, favouring blatant dancefloor manipulation over the subtle and the sexy. also featured (and included on the next kitsune maison 7 installment) is fringe element, which encapsulates the feeling of surfing on a shooting star like never before, with beni sitting proudly at the controls. an electronic orchestra of descending basslines, vocoder snippets, bleeps and acid squeaks, fringe element caps off another compelling chapter in benis lifelong voyage through dance. after the cover of his first ep my love sees you made by geneviÞve gauckler, his new 12 is illustrated by french artist andre.

new out for the label balance recordings now called balance alliance born under the banner of prescription underground/records. balance alliance brings to you a series of collected gems of productions new and old. the concept is to introduce new sounds while keeping some underground cuts alive. this third release is like a good soup with many ingredients to complete the taste. this project is one of the mystery releases with a combination of vibes rather, artist, writers, producers or re mixers to complete the flavor. taking you back to the moments when it was all about the music. if you are a true music lover, then you have already guessed each artist own special touch. this 4 tracker is something you want to keep in your bag of goodies, with ingredients such as: mush, alton miller, minister mike, home & garden, ali meghji, chez damier, kenny carvajal, j tilla and daz i kue... all adding their touch to complete our essential meal of the day.

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

played by brothers vibe , gerd janson (running back)... introducing two brand new lindstrom tracks: the magnificent and disturbing the perfect symmetry the leftover ep came about when prins thomas, todd terje and smalltown supersound were let into the lindstrom vaults so to speak. lindstrom makes a lot of music obviously (he has one album out this year already with prins thomas and another one with christabelle coming in october), and these were two tracks just laying around that he hadnt thought about releasing. when both prins thomas, todd terje and his label insisted that the tracks had to be released, he decided it was maybe a good idea to make another 12inch since it had actually been a while since the last one. and we are all happy by that. these are some of his finest moments. his signature melodies and sound are all here ready set dancefloors on fire. hope you like them as much as we do. enjoy!

aguaos tracks are stripped down and tough but very >latin< both rhythmically and melodically while the duo djs pareja combine their love of pop and house with dramatic electro pop arrangements

dj support: dj hell, dj deep, brothers vibe, jerome sydenham, sasse, riva starr, laurent garnier, gel abril, axel o boman, siopis, ricardo esposito... born and raised in sweden, marco gegenheimer grew up with a big range of musical styles from reggae to soul, funk latin, pop and flamenco. he teached himself to play guitar and drums and started to play in rock and indie bands before arriving at electronic music. today gegenheimer lives in barcelona and is very active as dj and producer. his current style is influenced by his rich musical past as well as detroit and chicago, which can be clearly heard on his first perplex. kalakuta is an epic floating techno track, classic and modern at the same time, with outstanding mixing and sound design which will send all lovers of quality and emotional techno music on a journey into time and space. kuti goes into the same direction, with massive chord stabs above one of the coolest basslines you might have heard in quite a while, shortly breaking down with melancholic pads in the middle only to bring the groove back with even more force some seconds later.